日本乐天_日本代购RPM
详情图片
日本直邮

【中古】(非常に良い)Sounds Magnificent: Symphony 5 & 7 [DVD]

14260 ( 约¥712元)
免费
会产生邮费,具体金额以乐天官网为准
目前未知,等货到仓库称重后计算,支持合并发货

件(实际可购买数量以乐天官网为准)

商品信息

【中古】(非常に良い)Sounds Magnificent: Symphony 5 & 7 [DVD]【メーカー名】【メーカー型番】【ブランド名】Image Entertainment 交響曲・管弦楽曲 Beethoven: Artist; Previn: Artist【商品説明】Sounds Magnificent: Symphony 5 & 7 [DVD]Amazonより Andr? Previn's 1984 BBC series chronicling the development of the symphony moves onward to Beethoven. More explicitly musicological in intent than its Haydn/Mozart installment, the program nonetheless remains pitched for the interested layperson; while there's brief mention made of intervals and transpositions, nothing is brought up that would go over the head of even the least informed novice. Previn's laid-back, easy-going manner--informative but not pedagogic, staring comfortably into the camera wearing a Mr. Rogers sweater and a "Well, isn't that interesting?" expression--is suited to this informal lecture style. There's a brief examination of Beethoven's personal struggles, mostly gleaned through reading bits of the Heiligenstadt Testament (a letter written to Beethoven's brothers, unsent and found among his papers after his death; see Maynard Solomon's psychoanalytically inclined Beethoven biography for a fascinating analysis). Rather more time is spent, appropriately, on the music itself: a few examples demonstrate the composer's debt to Mozart and thus place his genius in context; several well-chosen snippets deftly illustrate the Fifth Symphony's unprecedented organic structure. After the talk, Previn and the Royal Philharmonic have time to perform only the opening movement of the Fifth and deliver a fine, professional run-through, which many will find enhanced by the preceding analysis. The Seventh is given a complete reading; oddly, considering he quotes with approval Wagner's assessment of the symphony as the "Apotheosis of the Dance," Previn's greatest failing here is rhythmic. This is an enjoyable reading, but far too genial and cozy. The Allegretto fails to drive forward; the concluding Allegro con brio lacks the whirling abandon that prompted Wagner's comment. It's possible, at least when it comes to Beethoven, to be too laid-back and easy-going. --Bruce ReidAmazonより Andr? Previn's 1984 BBC series chronicling the development of the symphony moves onward to Beethoven. More explicitly musicological in intent than its Haydn/Mozart installment, the program nonetheless remains pitched for the interested layperson; while there's brief mention made of intervals and transpositions, nothing is brought up that would go over the head of even the least informed novice. Previn's laid-back, easy-going manner--informative but not pedagogic, staring comfortably into the camera wearing a Mr. Rogers sweater and a "Well, isn't that interesting?" expression--is suited to this informal lecture style. There's a brief examination of Beethoven's personal struggles, mostly gleaned through reading bits of the Heiligenstadt Testament (a letter written to Beethoven's brothers, unsent and found among his papers after his death; see Maynard Solomon's psychoanalytically inclined Beethoven biography for a fascinating analysis). Rather more time is spent, appropriately, on the music itself: a few examples demonstrate the composer's debt to Mozart and thus place his genius in context; several well-chosen snippets deftly illustrate the Fifth Symphony's unprecedented organic structure. After the talk, Previn and the Royal Philharmonic have time to perform only the opening movement of the Fifth and deliver a fine, professional run-through, which many will find enhanced by the preceding analysis. The Seventh is given a complete reading; oddly, considering he quotes with approval Wagner's assessment of the symphony as the "Apotheosis of the Dance," Previn's greatest failing here is rhythmic. This is an enjoyable reading, but far too genial and cozy. The Allegretto fails to drive forward; the concluding Allegro con brio lacks the whirling abandon that prompted Wagner's comment. It's possible, at least when it comes to Beethoven, to be too laid-back and easy-going. --Bruce ReidAmazonより Andr? Previn's 1984 BBC series chronicling the development of the symphony moves onward to Beethoven. More explicitly musicological in intent than its Haydn/Mozart installment, the program nonetheless remains pitched for the interested layperson; while there's brief mention made of intervals and transpositions, nothing is brought up that would go over the head of even the least informed novice. Previn's laid-back, easy-going manner--informative but not pedagogic, staring comfortably into the camera wearing a Mr. Rogers sweater and a "Well, isn't that interesting?" expression--is suited to this informal lecture style. There's a brief examination of Beethoven's personal struggles, mostly gleaned through reading bits of the Heiligenstadt Testament (a letter written to Beethoven's brothers, unsent and found among his papers after his death; see Maynard Solomon's psychoanalytically inclined Beethoven biography for a fascinating analysis). Rather more time is spent, appropriately, on the music itself: a few examples demonstrate the composer's debt to Mozart and thus place his genius in context; several well-chosen snippets deftly illustrate the Fifth Symphony's unprecedented organic structure. After the talk, Previn and the Royal Philharmonic have time to perform only the opening movement of the Fifth and deliver a fine, professional run-through, which many will find enhanced by the preceding analysis. The Seventh is given a complete reading; oddly, considering he quotes with approval Wagner's assessment of the symphony as the "Apotheosis of the Dance," Previn's greatest failing here is rhythmic. This is an enjoyable reading, but far too genial and cozy. The Allegretto fails to drive forward; the concluding Allegro con brio lacks the whirling abandon that prompted Wagner's comment. It's possible, at least when it comes to Beethoven, to be too laid-back and easy-going. --Bruce ReidAmazonより Andr? Previn's 1984 BBC series chronicling the development of the symphony moves onward to Beethoven. More explicitly musicological in intent than its Haydn/Mozart installment, the program nonetheless remains pitched for the interested layperson; while there's brief mention made of intervals and transpositions, nothing is brought up that would go over the head of even the least informed novice. Previn's laid-back, easy-going manner--informative but not pedagogic, staring comfortably into the camera wearing a Mr. Rogers sweater and a "Well, isn't that interesting?" expression--is suited to this informal lecture style. There's a brief examination of Beethoven's personal struggles, mostly gleaned through reading bits of the Heiligenstadt Testament (a letter written to Beethoven's brothers, unsent and found among his papers after his death; see Maynard Solomon's psychoanalytically inclined Beethoven biography for a fascinating analysis). Rather more time is spent, appropriately, on the music itself: a few examples demonstrate the composer's debt to Mozart and thus place his genius in context; several well-chosen snippets deftly illustrate the Fifth Symphony's unprecedented organic structure. After the talk, Previn and the Royal Philharmonic have time to perform only the opening movement of the Fifth and deliver a fine, professional run-through, which many will find enhanced by the preceding analysis. The Seventh is given a complete reading; oddly, considering he quotes with approval Wagner's assessment of the symphony as the "Apotheosis of the Dance," Previn's greatest failing here is rhythmic. This is an enjoyable reading, but far too genial and cozy. The Allegretto fails to drive forward; the concluding Allegro con brio lacks the whirling abandon that prompted Wagner's comment. It's possible, at least when it comes to Beethoven, to be too laid-back and easy-going. --Bruce Reid中古品のため使用に伴うキズ等がございますが、問題なくご使用頂ける商品です。画像はイメージ写真ですので商品のコンディション、付属品の有無については入荷の度異なります。当店にて、動作確認・点検・アルコール等のクリーニングを施しております。中古品のため限定特典や補償等は、商品名、説明に記載があっても付属しておりません予めご了承下さい。当店では初期不良に限り、商品到着から7日間は返品を 受付けております。他モールとの併売品の為、完売の際はご連絡致しますのでご了承ください。ご注文からお届けまで1、ご注文⇒ご注文は24時間受け付けております。2、注文確認⇒ご注文後、当店から注文確認メールを送信します。3、お届けまで3〜10営業日程度とお考え下さい。4、入金確認⇒前払い決済をご選択の場合、ご入金確認後、配送手配を致します。5、出荷⇒配送準備が整い次第、出荷致します。配送業者、追跡番号等の詳細をメール送信致します。6、到着⇒出荷後、1〜3日後に商品が到着します。 ※離島、北海道、九州、沖縄は遅れる場合がございます。予めご了承下さい。お電話でのお問合せは少人数で運営の為受け付けておりませんので、メールにてお問合せお願い致します。営業時間 月〜金 10:00〜17:00お客様都合によるご注文後のキャンセル・返品はお受けしておりませんのでご了承下さい。0
更多商品信息请参考乐天官网

常见问题

尊敬的客户:您好!
日拍迷的全体工作人员会尽力服务好每一笔的日拍订单,但网络跨国交易往往存在许多风险与问题,针对常见交易问题,依日拍迷的标准处理方式,请您明确了解并同意,并承担可能发生之交易风险:
1)一旦在日拍迷下单之后,不接受任何理由的取消或退货。
2)易碎商品请事先告知本公司之工作人员该商品需加强包装,并承担加强包装所产生之包材费用,必须通过EMS保价方式发货。若商品依然不幸损坏,日拍迷会协助用户从EMS处获得全额赔偿。
3)您必须确保您所购买的物品不在禁运规范之列,无视禁运规范拍下的商品,用户需要承担所有的责任。
4)商品在入境时会接受抽检,被抽检到并且符合海关缴税规定的商品会收到相应的缴税通知单,须由用户自行缴纳。

  • Q、 什么是乐天直购?
    由于日本乐天大部分商品不支持直接发货到中国,日拍迷提供代下单+转发国内的一条龙服务。
    A.
  • Q、我该如何购买乐天的商品?
    (1) 首先您必须成为日拍迷的用户。
    (2) 通过日拍迷系统订购乐天的商品,并完成下单。
    (3) 按照提示支付商品的金额后,我们会代您进行后续处理,一般2-7个工作日后,商品会抵达我们的日本仓库。
    (4) 您可以将商品保留在我们的仓库一个月,在这段时间内关注其它的商品然后一起支付国际运费运回国。
    A.
  • Q、 我下了订单之后是否可以取消?
    再您未付款前,可以随时取消。付款之后,不支持取消。
    A.
  • Q、 买了商品后又不想要了怎么办?
    如果商家支持退货,我们会为您办理退货手续,并收取退货所必须支出的费用。
    A.
  • Q、 买到违禁品怎么办?
    由于违禁品无法运输,由用户承担所有损失。 ※建议您下单之前先了解此商品是否为违禁品。可参考《禁运商品规范》。
    A.
  • Q、除了商品本身的价格外,我总共需要支付多少费用?
    您还需要支付日本国内快递费(如果有的话)、代购服务费和国际运费。具体请参看帮助中心。
    A.
  • Q、商品订单完成后,我需要做什么?
    您需要按照订单的提示支付收笔费用,后续处理会由日拍迷的工作人员负责,正常情况下2-7个工作日后,日拍迷的日本仓库会收到您的商品,并发邮件通知,之后您再进行发货操作,具体请看帮助中心。
    A.
  • Q、 商品到了日拍迷仓库后,我能否要求提供实物照片?
    抱歉,日拍迷不提供此项服务,如果您有特殊原因,请在购买前事先联系客服。
    A.
  • Q、 日拍迷是否提供加强包装?
    提供,但是须用户承担加强包装所产生的包材费用。
    A.

费用试算

商品金额(日元)
重量 (克)
日本国内快递费 (日元)
国际运输方式
日元汇率

购入相关费用(单位:日元)

商品金额:
0
汇款手续费:
0
日本国内运送费:
0

国际运输相关费用(单位:日元)

国际运费:
0

代购服务相关费用(单位:人民币元)

代购服务费:
0

总计:0

0